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Sony Camcorder รุ่น PWX-FS7M2K Ultimate Super35 versatility

PXW-FS7M2K : with SELP18110G lens

  • พร้อมเลนส์ขนาด 18-110 mm. F4
  • Sensor ชนิด 4K Super 35 Exmor CMOS
  • รองรับการบันทึก 4K DCI และ UHD ที่ 60 fps ภายในเครื่อง
  • การตั้งค่าโดยแกมม่า S-Log 2/3
  • Electronic Variable ND Filter
  • ถ่ายวิดีโอแบบ Super Slow Motion
  • รองรับการใช้เลนส์ชนิด E-Mount
  • จอภาพ LCD ขนาด 3.5 นิ้ว พร้อม viewfinder loupe
  • บันทึกภาพด้วยสื่อบันทึกแบบ XQD x2 SD x1
  • ช่องสัญญาณ 3G/HD/SD SDI x2, HDMI X1, XLR-type 3-Pin x2
  • 4K/2K RAW Output (อุปกรณเสริม)
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PXW-FS7M2K : with SELP18110G lens

Next-generation memory

Long-form programmes need media that’s both reliable and affordable. As specified by the CompactFlash Association, XQDTM memory cards score big on both accounts. Reliability comes from in-camera recovery. You get very low cost-per-minute compared to CFastTM cards.

Sony’s G-Series XQD card extends these benefits with ‘EB Stream’ technology for a blistering 400Mbps write-speed and 440Mbps read-speed. Using our 256GB G-Series card, you can record approximately 45 minutes of 4K footage at 60P or 3.5 hours at 30P in 2K. And when it’s finally time to swap out cards, it’s now even easier – on FS7 II the card protrudes by a more easily pinchable 8mm.

Handheld comfort takes another leap forward

The FS7 is renowned for taking handheld shooting to another level. Placed against your chest or shoulder, comfortably steadied by your right hand. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest. Now with FS7 II we’ve refined these elements to be even more flexible to you.

Sony’s remarkable smart grip

The result of thousands of hours of user research, Sony’s Smart Grip is a highly adjustable control centre located on a pivoting, telescoping arm. The smart grip includes zoom, start/stop and a range of assign controls, including a dial you can use to adjust Iris. So you can operate the camera without taking your hand off the grip. The shape is comfortable hour after hour. And the angle of the grip can be adjusted at the press of a button.

Easy to adjust, telescoping arm

Everyone loved the flexibility of the FS7’s ergonomic arm mount, but we’ve gone further with FS7 II’s new mounting positions – so you can hold it even closer to your body – and made it easily adjustable without tools. So it’s even easier to find the perfect set-up to suit your physique and your shooting position.

Ergonomically improved viewfinder

The mounting arm for the FS7 II’s viewfinder is now even more flexible with independent clamps easily adjusted by hand even while still on your shoulder. The viewfinder itself can be perfectly offset for right-eye or left-eye viewing with a huge range of fore-aft adjustment. Just turn a single knob to set the finder’s position. For even greater flexibility, Sony supplies a 15 mm rod mount. The viewfinder takes the form of an LCD monitor and a viewfinder extension box that easily tilts up and out of the way when you want direct viewing. The viewfinder extension box is now even easier to attach, while the LCD hood is can be bundled while not in use. Peaking, zebra and contrast controls enable easy adjustment of focus, contrast and exposure.

Sony’s 4K universe

Like High Definition a decade ago, 4K is emerging as a consumer entertainment platform. And Sony is playing a pivotal role in this transition. When we launched the world’s first commercial 4K projectors in 2005, we had to explain that a ‘K’ was 1024 horizontal pixels and that 4K meant 4096 x 2160 resolution. We had to itemise the advantages with tutorials on resolution and seating distance. Today 4K is a robust production platform. It is enshrined in the Digital Cinema Initiatives (DCI) specification. The ITU and SMPTE have both issued 4K standards. And the Consumer Electronics Association is promoting the term Ultra High-Definition (Ultra HD) to cover 4K consumer products.

Multi-Interface (MI) Shoe

The FS7 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.

*Accessories sold separately. HVL-LBPC light does not draw power from FS7 II.

SKU: PXW-FS7M2K : with SELP18110G lens หมวดหมู่: , , ,

PXW-FS7M2K : with SELP18110G lens

  • General
    Mass
    Approx. 2.0 kg (body only)
    Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP18110G LENS without tripod mount, an XQD memory card)
    Dimensions (W x H x D) *1
    158.9 x 245.2 x 247mm (body without protrusions)
    Power Requirements
    Power Requirements DC 12.0V (AC adaptor)
    Please use genuine Sony batteries to ensure correct and safe operation *4
    Power Consumption
    Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
    Operating Temperature
    0°C to 40°C
    32°F to 104°F
    Storage Temperature
    -20°C to +60°C
    -4°F to +140°F
    Battery Operating Time
    Approx. 1 hrs. with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
    Approx. 2 hrs. with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
    Approx. 3 hrs. with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
    Recording Format (Video)
    XAVC-I mode:DCI4K 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:DCI4K 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:DCI4K 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:DCI4K 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:DCI4K 24.00P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:DCI4K 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
    Recording Format (Video)
    XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 59.94i VBR, maximum bit rate 111Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 50i VBR, maximum bit rate 112Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 29.97P VBR, maximum bit rate 111Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 23.98P VBR, maximum bit rate 89Mbps, MPEG-4 H.264/AVC
    XAVC-I mode:HD 25P VBR, maximum bit rate 112Mbps, MPEG-4 H.264/AVC
    XAVC-L QFHD 59.94P/50P mode: VBR, maximum bit rate 150Mbps, MPEG-4 H.264/AVC
    Recording Format (Video)
    XAVC-L QFHD 29.97P/23.98P/25P mode: VBR, maximum bit rate 100Mbps, MPEG-4 H.264/AVC
    XAVC-L HD 50 mode: VBR, maximum bit rate 50Mbps, MPEG-4 H.264/AVC
    XAVC-L HD 35 mode:VBR, maximum bit rate 35Mbps, MPEG-4 H.264/AVC
    XAVC-L HD 25 mode:VBR, maximum bit rate 25Mbps, MPEG-4 H.264/AVCMPEG HD422 mode:CBR, maximum bit rate 50Mbps, MPEG-2 422P@HL

    Recording Format (Audio)
    LPCM 24 bits, 48 kHz, 4 channels
    Recording Frame Rate
    XAVC-I DCI4K mode: 4096×2160/ 59.94P, 50P, 29.97P, 23.98P, 24P, 25P
    XAVC-I QFHD mode: 3840×2160/ 59.94P, 50P, 29.97P, 23.98P, 25P
    XAVC-I HD mode: 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L QFHD mode: 3840×2160/59.94P, 50P, 29.97P, 23.98P, 25P
    XAVC-L HD 50 mode: 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L 35 mode: 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L 25 mode: 1920×1080/59.94i, 50i
    MPEG HD422 mode: 1920×1080/59.94i, 50i, 29.97P, 23.98P, 25P
    1280×720/59.94P, 50P, 29.97P, 23.98P, 25P
    Recording/Playback Time
    XAVC-I mode QFHD 59.94P
    When using QD-G128A(128GB):
    Approx. 22 minutes
    XAVC-I mode QFHD 50P
    When using QD-G128A(128GB):
    Approx. 26 minutes
    XAVC-I mode QFHD 29.97P
    When using QD-G128A(128GB):
    Approx. 44 minutes
    XAVC-I mode QFHD 23.98P
    When using QD-G128A(128GB):
    Approx. 55 minutes
    XAVC-I mode QFHD 25P
    When using QD-G128A(128GB):
    Approx. 52 minutes
    Recording/Playback Time
    XAVC-I mode HD 59.94P
    When using QD-G128A(128GB):
    Approx. 59 minutes
    XAVC-I mode HD 50P
    When using QD-G128A(128GB):
    Approx. 71 minutes
    XAVC-I mode HD 59.94i
    When using QD-G128A(128GB):
    Approx. 118 minutes
    XAVC-I mode HD 50i
    When using QD-G128A(128GB):
    Approx. 141 minutes
    XAVC-I mode HD 29.97P
    When using QD-G128A(128GB):
    Approx. 118 minutes
    Recording/Playback Time
    XAVC-I mode HD 23.98P
    When using QD-G128A(128GB):
    Approx. 147 minutes
    XAVC-I mode HD 25P
    When using QD-G128A(128GB):
    Approx. 141 minutes
    XAVC-L mode QFHD 59.94P/50P
    When using QD-G128A(128GB):
    Approx. 87 minutes
    XAVC-L mode QFHD 29.97P/23.98P/25P mode:
    When using QD-G128A(128GB):
    Approx. 131 minutes
    XAVC-L 50 mode
    When using QD-G128A(128GB):
    Approx. 262 minutes
    Recording/Playback Time
    XAVC-L 35 mode
    When using QD-G128A(128GB):
    Approx. 374 minutes
    XAVC-L 25 mode
    When using QD-G128A(128GB):
    Approx. 524 minutes
    MPEG HD422 mode
    When using QD-G128A(128GB):
    Approx. 262 minutes
  • Lens
    Lens Mount
    E-mount (lever lock type)
  • Camera Section
    Imaging Device (Type)
    Super35 type Single-chip Exmor CMOS
    Effective Picture Elements
    17:9 4096 (H) x 2160 (V)
    16:9 3840 (H) x 2160 (V)
    Built-in Optical Filters
    ND filters
    OFF: CLEAR
    1: 1/4ND
    2: 1/16ND
    3: 1/64ND
    Linear variable ND (1/4ND to 1/128ND)
    Sensitivity (2000 lx, 89.9% reflectance)
    Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
    ISO Sensitivity
    ISO 2000(S-Log3 Gamma D55 Light source)
    Minimum Illumination
    0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)
    S/N Ratio
    57 dB (Y) (typical)
    Shutter Speed
    1/3 sec to 1/9,000 sec
    Slow & Quick Motion Function
    XAVC-I mode 3840×2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
    XAVC-I mode 1920×1080:1 to 180 frames (59.94P, 29.97P, 23.98P) 1 to 150 frames (50P,25P)
    XAVC-L mode 3840×2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
    XAVC-L mode 1920×1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
    White Balance
    Preset, Memory A, Memory B(1500K-50000K)/ATW
    Gain
    -3, 0, 3, 6, 9, 12, 18 dB, AGC
    Gamma Curve
    STD,HG,User,S-Log2, S-Log3
  • Input/Output
    Audio Input
    XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Mic Reference: -40, -50, -60dBu
    SDI Output
    BNC(x2), switchable with 3G-SDI/HD-SDI SMTPE292M/424M/425M
    USB
    USB device, mini-B (x1)
    Headphone Output
    Stereo mini jack (x1) -16dBu 16Ω
    Speaker Output
    Monaural
    DC Input
    DC jack
    Remote
    Stereo mini-mini jack (Φ2.5 mm)
    HDMI Output
    Type A (x1)
    Option
    4-pin, Type A for W-LAN (x1)
  • Monitoring
    Built-in LCD Monitor
    8.8cm (3.5 type) Approx. 1.56M dots
  • Built-in Microphone
    Built-in Microphone
    Omni-directional monaural electret condenser microphone
  • Media
    Type
    XQD Card slot(x2)
    SD Card slot(x1) for saving configuration data
  • Supplied Accessories
    Supplied Accessories
    Body Cap (1)
    Viewfinder (1)
    Viewfinder hood(1)
    Eyepiece (1)
    Grip Remote Control (1)
    USB wireless LAN module IFU-WLM3 (1)
    Wireless remote commander (1) (RMT-845)
    WA Adaptor Bracket (1)
    AC Adapter(1)
    BC-U1 battery charger (1)
    BP-U30 battery pack (1)
    Power cord (2)
    USB cable (1)
    Operating Guide (1)
    CD-ROM “Manual for Solid-State Memory Camcorder” (1)
    IS1293 power cord for India (Not supplied in some countries) (2)
  • Notes
    *1
    The values for dimensions are approximate.
    *2
    Viewable area measured diagonally.
    *3
    ECS: Extended Clear Scan
    *4
    Sony does not guarantee other manufacturers’ batteries to operate properly as noted in operation manual.

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